The thing about wolves, essentially, is that they are simultaneously soft and cuddly and dangerous killing machines. That is the id-appeal of them to me. Psychic wolves and wolf-shaped werewolves more so than actual wolves, of course.
I first got acquainted with psychic wolves when I read A Companion to Wolves shortly after it came out, and on the first reading especially, I felt very much like the target audience for the book in a way that I didn't feel like the target audience for most fantasy or science fiction I read: it was queer feminist hurt/comfort that put a woobie boy front and center for me to love. In the course of time I read the second book and got rather less enchanted, but by then I had already begun on the long road to writing psychic wolves into Generation Kill, so they were in a way mine now, and disliking a book about them could not make me stop loving psychic wolves.
Adding wolves to GK was a way to do a bunch of fun things in that universe: I could have a world where DADT was not a big thing, and homosexual activity was an inherent part of military service, and still build a situation where there was a reason Nate and Brad really, really couldn't have a relationship while serving together. It also allowed me to make literal and external the "warrior spirit" that Brad talks about in the miniseries (totally unironically, oh Brad, ♥) and generally up the stakes in a bunch of situations--Trombley isn't just a weirdo, he's a flashpoint for the whole unit.
Also, so many wolf-cuddles. ♥_______♥ Heat-shack sex was really just a hurt/comfort-y bonus.
I am likewise super into the actual-wolf-form of werewolves because a) so much more aesthetically pleasing than the Teen Wolf ~beta shift~ with the sideburns and whatnot, and b) did I mention wolves can be cuddly. The Boy and the Beast was basically just a 117,000-word ode to how great it would be to cuddle with a wolf, because, did I mention, cuddles are relevant to my interests. As are wolves. :D
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